We would like to call it a body of work, because it’s coming along with videos, and were trying to do some different stuff so people can look at us in a whole different light…The bigger you get in notoriety, the bigger the stuff you have to put out, you know? You can’t be like, ‘the homie picked up the camera and we just started filming.’ Everything has to be quality, and that’s the best thing [for us]. Our level of quality has gotten way bigger. Church League Champions sounds dope as hell. It sounds better than a lot of people’s albums.
The only [other] production on Grown Kid Syndrome is Swiff D and DJ Khalil on 'Taste.' But 'Taste' may not make the album because it’s already on the [Pac Div] EP, so it’s gonna be a bonus track. Basically then it’s just Swiff, but that’s one thing the label allowed us to do. We get to do everything how we’ve been doing it.
We figured out how to get people into this energy we got that we create through the music. So every time we come out to a show or put out a new song, it’s that energy that people pick up. We want our music to feel like that energy when you listen to it. It doesn’t feel bogus or corny; it feels like BeYoung, Mibbs and Like.
...We didn’t come up off the Internet. We earned our stripes rapping at the Wake Up show with Sway and Tech, with very harsh critics. We worked really hard, doing shows with everyone from Ludacris to The Roots to Nas; that right there, you can’t create that from the Internet. Everything that people are beginning to see bubble has definitely been off the strength of word of mouth. It’s a pure, organic and non-generic movement that we’re doing, solely off of our passion for music.
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